Stop the time. Short excerpts
This article describes how to stop time ’in pictures with the help of a camera. When photographing moving objects, it is possible to ‘stop’ them using a photo and see…

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The alphabet of photogenicity
To paraphrase a famous aphorism, one can say: do not be born beautiful, but be born ... photogenic. Alas, only a few are photogenic of us. The rest, looking at…

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Stop the time. Short excerpts
This article describes how to stop time ’in pictures with the help of a camera. When photographing moving objects, it is possible to ‘stop’ them using a photo and see…

Continue reading →

object

Makrokoltsa – article from Radozhiva

What are macro rings are ordinary hollow tubes that change the working length of your lens. That is, it’s just a tube that is placed between the lens and the camera.

How they work – imagine that you are focusing on a fixed lens, one of the old ones, where the entire lens unit (all lenses) goes when focusing, you twist the focus, all lenses go slowly (the trunk of the lens lengthens), leave and leave as far as the design allows you lens. But the focus is spinning to a certain value and in order to draw out (push back) we add rings even more. Of course, in modern lenses, focusing sometimes happens differently, because the explanations are given just for example. Continue reading

Dependence of the viewing angle of the lens on the focusing distance
When focusing on some lenses you can notice a very interesting effect. Many lenses change (usually reduce) the field of view when focusing from infinity to MDF (minimum focusing distance).…

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Makrokoltsa - article from Radozhiva
What are macro rings are ordinary hollow tubes that change the working length of your lens. That is, it's just a tube that is placed between the lens and the…

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What is white balance in a camera?
The white balance is a parameter that helps to correctly construct a color image transfer. It is abbreviated as simply BB (white balance), in the English-language literature one can find…

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About photogenicity, curved hands and a bottle of dry
Since I began to take photographs of non-professional models, I constantly find myself catching up on the fact that, being on the street, I look at the faces of people…

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