RAW converter
Modern digital photography is very much connected with image processing programs. Sometimes it is the photo editor that creates exactly the photo that we ultimately consider the work of the…

Continue reading →

How to photograph the baptism of a child
I am not a clergyman, and therefore I cannot know all the subtleties of this or that sacrament, rite or ceremony, I don’t even really know how to name some…

Continue reading →

Dictionary for the photographer and model
I have already told in one of the previous articles what TFP and TFCD are. But I realized that this is clearly not enough. Exclusive Buyou, Langery, Editorial ... Girls…

Continue reading →

Several rules for photographing women

A woman is for the photographer only the subject of serving the plane, the same as fabric, mirrors or furs.
The texture of a woman to create a good picture is no less important than the correctly chosen lighting, angle or structure of the film emulsion.
She herself, as a rule, thinks differently.
On the best pictures (very conditionally called portraits), the woman does not recognize herself.
It is more profitable to make the first ten frames with an empty camera so that the woman is accustomed to the sound of the shutter release.
If a woman starts giving advice, replace her. The ideal model immediately assembles the frame structure, as needed, and is better than the photographer.
One hundred two hundred milliliters of brandy at the beginning of the session will help a woman overcome shyness and relax. It is also advisable to serve sweets and fruits from time to time.
Be sure to remember how a woman’s name is.
It is highly undesirable to photograph a woman from the time of the break with virginity until the time when she begins to understand something. Until the second frontier comes, and this stretches to several decades, her view is similar to the look of a frightened doe, which is good for a poetic description, but interferes with artistic shooting.
As a rule, a woman does not know what she wants. Explain it to her – the task of the photographer.
Never give a woman unsuccessful prints. Do not show her contacts and control. Let your kitchen remain a secret to her.
A woman is very curious and greedy for complex beautiful mechanisms, so during breaks in a photo shoot she can be allowed to hold a camera.
To photograph a naked woman is immoral.
The presence of strangers, including other women, during shooting is unacceptable.
If you are walking with a woman down the street, hang the biggest camera on her and leave her alone. In the views of passers-by, besides the usual feeling, she will also feel respect.
Before shooting a woman must be washed and repainted.
It is advisable not to enter into an intimate relationship with a woman. At least until the end of the photo shoot.
If during the shooting you need to take a woman in your arms, treat her the same way as with your camera – hold firmly, but gently.
A woman can only be a photographer if her name is Sara or Vita.
Do not photograph a woman for more than sixteen hours in a row.
Photography is more important than a woman.
Photography is more important than a photographer.
Anyone who thinks otherwise can become a woman, but cannot become a photographer.

The effect of star rays in photos
When shooting a bright light source into the frame, you can get an interesting effect with the rays of light. This effect is usually called Star Effect. This effect is…

...

What is TFP and TFCD and what they eat
Recently, especially in the conditions of the economic crisis, the term TFP, which in its most simplified form means free-of-charge photography, is increasingly heard among photographers and models. Those who…

...

Exposure. Exposure correction.
Exposure is dosed by fixed assets: Exposure Aperture ISO sensitivity value Flash (or other lighting) Basically, in digital photography, it is customary to say that exposure depends only on shutter…

...

Bokeh. Thoughts about bokeh.
This article is very filled with subjective opinions. Be patient with patience and understanding. Bokeh is the “character” of an image outside the focus area, its intensity, and the effect…

...